Phish debut version downshifts after 6:00, becoming more moody and atmospheric before mounting another round of heavier rock which washes into > "David Bowie".

Dark, brooding and sometimes searching, this is the epitome of latter-day Evil Phish Improv.

NYE's "Bag" casts a long shadow; fans of that momentous moment can turn from that script to find, here, more by way of impassioned (improvisational) play. Heavy as a multi-beast's footprints stomped into the Mojave's sand, the band toys with an array of effects to produce something like melody before Trey alights upon a line, a path leading the listener through a grassy path where one sees the forest for its cosmic trove of trees.

> from "Tweezer". If you didn't know any better, you might think the beginning of this jam was out of "Melt" and not "Pillow Jets". Out of the muck, Trey leads the band into an upbeat, driving jam that oozes energy. Trey weaves his way back to a smooth segue -> "Tweezer".

> from "Ruby Waves," the jam (once through the song) is more an interlude, a punishing kaleidoscope of sound sure to please shoegazers and those with their heads in the clouds. Terrific outro-cum-drawn-out segue for a rabid "YPC."

Jam takes a sudden and incredibly frenetic turn coming out of the grimy "Multibeast" section. The band conjures not just thunder, but a multifaceted visionary journey through shifting sounds and moods as diverse as the Vedic pantheon before settling into a rhythmic and loop laden space that gives way abruptly to "2001".

> from "Tweezer" in a wild and wacky Tweezer-fest. The band sludges through some dark jamming before returning to the "Conjurers of thunder" refrain and ever so slowly, Trey finds his way back to > into more "Tweezer".